#Billie eilish paparazzi 2021 series#
In a recently published British Vogue magazine, she wore a series of elegant corsets, dresses and an entirely new platinum blonde hairdo. Known for her unique baggy clothing and black and green hair, Billie recently showed herself off in a whole new way. His documentary series American High, which aired on PBS in 2000, followed a class of ordinary teenagers in suburban Chicago, and he brings a similar feel here, cutting together a film that often feels told from a home video perspective.Ĭutler pays particular attention to family members - Finneas, of course, whose creative rapport with Billie is evident throughout, but also their boomer parents Maggie and Patrick O'Connell, who speak unguardedly and at length.Billie Eilish is an iconic artist who has recently opened up about some of the challenges, mental and other, she has faced during her life.Īs a musical icon, Billie Eilish continues to amass millions of new fans, all while dealing with the ups and downs of being in the public eye. Pennebaker's 1993 Clinton campaign documentary The War Room and went on to direct the behind-the-scenes Vogue film The September Issue, has a keen sense for the dynamics of teenage life. Writer-director RJ Cutler, who produced D.A.
Their studio is a cramped bedroom in the family's modest Highland Park, Los Angeles house, a location to which the film returns as a kind of spiritual centre, even as it follows Eilish's ascent across Coachella, a sold-out world tour, and her multiple Grammy wins in early 2020. The World's a Little Blurry picks up in 2018 as the then 17-year-old Eilish and her musical collaborator, older brother Finneas O'Connell, are writing and recording what will become their breakthrough album: When We Fall Asleep, Where Do We Go?. "As our lives became more and more surreal, I thought this would be an interesting thing to watch from the outside," says Finneas O'Connell.
The new documentary Billie Eilish: The World's a Little Blurry, which follows the teenage singer as she records her debut album and blows up to global superstardom, arrives at a moment when the world seems to be having a moment of collective - if sometimes disingenuous - regret over its treatment of Britney Spears, whose hounding at the hands of the press is a reminder of an era when teen pop stars were at the mercy of the media.Īssembled from hours of home video, behind-the-scenes footage and other candid moments, The World's a Little Blurry, like Taylor Swift's recent, belatedly confessional Miss Americana, portrays a pop star in control of her iconography: the confessions are on her own terms, the mistakes are funny and human, and the anxieties and self-doubts are part of the package - the very reasons she connects to so many. It's one of the curious paradoxes of contemporary pop stardom: social media offers audiences access to the kind of intimate details of performers' lives that would be unthinkable in another era, yet it theoretically affords the stars near-complete control of their public image - allowing them to circumvent traditional media for a direct dialogue with their fans.
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